R.K. - Unknown Soldiers, Editions pH7, Brussels, 2013, 57 p., 19 x 15cm.
" the man who no one knew, but who was known to everybody"
During the journey of November 11, on the anniversary of the 1918 armistice, the survivors of the Great War have, each year revived the souvenir of the warriors during commemorations on the different tombs of Unknown Soldiers. Since several years no more survivors are able to testify. The evolved world can henceforth celebrate, the abolition of the myth of the Unknown Soldier, not because of the disappearance of our present or future fratricide wars, but because of Science which equipped our armies with the absolute weapon called: deoxyribonucleic acid or ADN analysis. Science, which killed the myth of the Unknown Soldier, also made possible the invention of analog photography, which henceforth offers the possibility to re glorify the souvenir of the Unknown Soldiers of the Great War and at the same time to detour this from its original context. The Carte de Visite photographic process existed from 1854 to around 1914 and consists of a photographic portrait mounted on a cardboard support of about 6,5 x 10,5cm.
As the last of the survivors of the Great War is lately deceased, one could, by pure speculation, suppose that each one of the carte de visite images of anonymous soldiers could, as a matter of fact, be the portrait of the historical Unknown Soldier. In order to avoid the comparison with ancient visual indications, the faces of the photographed soldiers have been definitively removed. The photographs of the soldiers without a face may serve as witnesses and stirring souvenirs of the first World War which did not spare the age, the nationality nor the rank of its victims. The present conceptual photographic project around Unknown Soldiers is historically correct and satirically illustrates anonymous persons who, probably, have lived (and who knows, have been killed) during the Great War.